The Shape of Light, Real Eyes Gallery, Adams, MA. 
  Pour: Rush: Rest: Release,  Sideshow Gallery, Brooklyn, NY.
Abstraction Americaine, Andre Seleanu, Exposition Vie des Arts 248
2014   Evolution: Lexan Works 1989-2014, Eclipse Mill Gallery, North Adams, MA.
2011    Another Side Of In, Charles River Museum of Industry and Innovation, Waltham, MA. Waltham, A                    
            Multimedia Installation with Mike Gordon, Musician; Jamie Robinson, electronicist.  
            Spectacle of Light, Paintings on Canvas, Waban Library Center, Waban, MA.
2010   Another Side Of In, Boston Children’s Museum, Boston, MA. A Multimedia Installation with Mike Gordon,
            musician; Jamie Robinson, electronicist
2009   New Works in Conjunction With Extreme Possibilities, Jason Rulnick Gallery, New York, NY. 
            Another Side Of In, Boston Cyberarts Festival, Charles River Museum of Industry and Innovation,  
            Waltham, MA. A multi-media exhibition with Mike Gordon, musician and Jamie Robertson, electronicist,     
2007   Recent Work, Jason Rulnick Gallery,  New York, NY.     
2006   Another Side Of In, Firehouse Gallery: Burlington City Arts, Burlington, VT. An interactive, multi-media
            exhibition with musician Mike Gordon, Burlington, VT. 
2002   Paintings on Canvas and Lexan. C. W. White Gallery, Portland, ME. 
2000   Eclipse: A Multimedia Installation, C. W. White Gallery, Portland, ME.  (Lexan sculptures and theater lights.)
1998    Paintings on Canvas and Lexan, C. W. White Gallery, Portland, ME.
1995    Paintings on Lexan,Mast Cove Galleries, , Kennebunkport, ME.
1985    Marjorie Minkin Paintings, Stavaridis Gallery, Boston, MA.
1985    Marjorie Minkin, Triangle Center, New York. NY.
1983    Recent Paintings, Stavaridis Gallery, Boston, MA.    
1982    Marjorie Minkin Paintings on Canvas and Paper, Cutler/Stavaridis Gallery, Boston, MA.
1981    Marjorie Minkin Paintings, Boston, Cutler/Stavaridis Gallery, MA.


Science Paints Our World: Chemistry & Art, The Midland Center for the Arts, Michigan.(With Roy
Lichtenstein, Alexander Calder, Kenneth Noland, John Hoyland, Morris Louis, Jules Otliski, Frank Dzubas,
Helen Frankenthaler and others.)
2018 Sacred Asymmetry-Abstraction Boston/New York, Hallspace Gallery, Boston MA; Curated by Philip
Three American Master of Asbtraction, Galerie D’Arts Contemporains, Montreal, Canada.
             Pour: Rush Rest Release, Two Person Exhibition, SideShow Gallery, Brooklyn, NY.
             Thru the Rabbit Hole 2, SideShow Gallery, Brooklyn, NY.
Current American Painting Beyond Color Field: Three Masters from the United States, Andre Seleanu,
Exposition Vie des Arts 248
2016   Thru the Rabbit Hole, SideShow Gallery/Life on Mars, Brooklyn, NY. 
            Blanc de Blanc, Jamestown Art Center, Jamestown, RI.
2013   Color Field, Baker Sponder Gallery, with Christensen, Zox, Boxer, Landfield, Boca Raton, FL
2012   Abstract Expressionism, Then and Now,” With Pollock, deKooning, Krasner, Kline, Gottlieb, The Flint
            Institute for the Arts, Flint, Michigan. (Catalogue)    
2010    Abstraction Now, Gallery At The Eclipse Mill, North Adams, MA.
2009   Extreme Possibilities: New Modernist Paradigms, The Painting Center, Curated by Karen Wilkin, New York,  
            NY. (Catalogue)
            Less, Trudy Labell Fine Art, Naples, FL.
            Illuminati:Working With Light, Eclipse Mill, North Adams, MA.
2008   Group Show, Eclipse Mill, North Adams, MA.
2007   Anna Bondonio Camandona Art Gallery, Alba, Italy. 
            Alumni Exhibition, Tang Museum, Skidmore College, Saratoga Springs, NY.
            Aspects of Abstraction, University of Alberta, , Edmonton, Canada.
            Waltham Mill Artists Exhibition, Attleboro Museum, Attleboro, MA.
            Less, Trudy Labell Fine Art, Naples, FL.
2006   Less, Trudy Labell Fine Art, Naples, FL. 
2005   Korean International Art Fair, represented by Gallery Sejul, Seoul, South Korea.
2004   Fontainebleau International Art Center, Galerie Gerald Piltzer, Macherin, France.
            Material Matters: Exploring the Impact of Media on the Artist Featuring Works from the
            Golden Artist Collection, Community Gallery of the Earlville Opera House, Earlville, NY.
            Gallery Artists, C. W. White Gallery, Portland, ME.
2003   Works from the Permanent Collection, Flint Institute of Arts, Flint, MI. 
            Gallery Artists, Trudy Labell Fine Art, Naples, Florida.
2002   New New Painters Exhibition, The National Gallery, Prague, Prague, Czech Republic. (Catalogue)
            New New Painters, Bas-Saint-Laurent Museum, Riviere-du-Loup, Quebec, Canada.    
            New New Painters, Galerie d’Arts Contemporains, Montreal, Canada.
2001   New New Painting, Inaugural Exhibition: Ten Years of New New, Museum of New New Painting, Toronto,  
            Le Retour du New New Painting, Galerie Anne Lettree, Paris, France.
            Les Nouveaux Alliages de la Matiere, Espace Blanche, Brussels, Belgium.
2000   New New Painting, Hotel de Ville, Grand Palace, Curated by Marcel Paquet, Brussels, Belgium.
            The Real Avante Guarde, The New New Painters, The New York Armory, New York, NY. Curated by  
            Kenworth Moffett. (Catalogue)
1999    Elegant Clarity, Tribes Gallery, Curated by C. W. White, New York, NY.
            The New New Painters, Denver Museum of Contemporary Art, Denver. CO.
            The New New Painters, The Flint Institute of Arts, Flint, MI. Curated by Sue Scott, (Poster and Catalogue)
            A Viewing, New New Painters, Gelabert Gallery, New York, NY.
            Context & Discretion, O’Farrell Gallery, Brunswick, ME.. 
1997    New New Painting, Museum of Contemporary Art, Palm Beach Community College, Palm Beach, FL.
            New New Painting, New London Arts Society Gallery, New London, CT.
            New New Painting, York College Art Gallery, York College, Jamaica, NY.
            New New Painting: Small Works from the Group, Fine Art 2000, Stamford, CT. 
1996   The Abstract Image, The Center for the Arts, Vero Beach, FL.
            New New Painting, Galerie Piltzer, Paris, France.    
            New New Painting, Fine Art 2000 Gallery, Stamford, Connecticut. (Catalogue).         
1995    Beyond the Great Threshold: Exhibition Dedicated to Samantha Hsiao: Milan: galleria S. Fedele; Pavia:  University Gallery; Orzinuovi (Cremona), Museum of the Castle;Perugia: Centro Expositivo della Rocca Paolina. Italy.
            New New Painting,  Galleryism, Seoul, South Korea. (Catalogue).
1994   New New Painting, Salander O’Reilly Gallery, New York, NY.
            Galerie Piltzer at Art International, Chicago, IL.  
            The New York International Art Fair, Art New York, USA, Represented by Galerie Piltzer.
            Art Frankfurt, Represented by Galerie Gerald Piltzer and Galerie Dambier Masset, Frankfurt, Germany.
            “Descouvertes 1994” Grand Palais, represented by Galerie Piltzer, Paris, France.
            Theatrical Sets for Musical Rock Band Phish: 1988-1995, Burlington, VT.
1993   Form, Shape, & Vision, Schick Art Gallery, Skidmore College, Saratoga Springs, NY. Curated by David Miller.
            Group Exhibition, Galerie Tilly Haderek, Stuttgart, Germany.
            Art Köln 93, Represented by Galerie Tilly Haderek, Köln, Germany. 
            New New Painting, Musée d’Art Modern et d’Art Contemporain, Nice, France.
            New New Painting, Städtische Gallery, Sponsored by Mercedes Benz Corporation, Goeppingen, Germany, (Catalogue).
            New New Painting, Musée des Beaux Arts, Charleroi, Belgium. 
            New New Painting, Musee des Beaux Arts, Waterloo, Belgium. 
            Art Chicago International, Represented by Galerie Gerald Piltzer, Chicago, Il.
            Grand Palais, Decouvert 93, Represented by Galerie Gerald Piltzer, Paris, France.
1992   New New Painting, Galerie Gerald Piltzer, Paris, France. (Catalogue).
            New New Painting, Galerie Dambier Masset, Paris, France.
1991   Works on Paper from the Permanent Collection, Ft. Lauderdale Museum of Art, Ft. Lauderdale, FL. 
           Gallery Artists, Levinson Kane Gallery, Boston, MA.
1990   East Bound, West Bound, Korean Cultural Center Gallery, Invitational Exhibition, Los Angeles,  CA. Curated by Hoon Kwak.
1989    City Reflections, Levinson Kane Gallery, Boston, MA. Inaugural Exhibition.
1988    Gallery Artists, Trudy Labell Gallery, Rehoboth, MA.
1987    Gallery Artists, Trudy Labell Gallery, Rehoboth, MA.
1986    Individuals at Triangle, The Triangle Gallery, New York, NY.
1985    Small Works by Big Thinkers, Bess Cutler Gallery, SNew York, NY.
1984    Works on Paper, Bess Cutler Gallery, New York, NY.
1983    Abstract Art in New England, Danforth Museum, Framingham, MA. Stamford Museum, CT: Art Complex Museum, Duxbury, MA: Plymouth State College, NH. (Catalogue), 
1982   Works from the Permanent Collection, Boston Museum of Fine Arts, Boston, MA.        
            Works on Paper, M.I.T., Hayden Gallery, Cambridge, MA.
1979   Traveling Scholars Exhibition, Museum of Fine Arts, Boston, MA.


    Agnes Etherington Art Center, Queen’s College, Kingston, Ontario, Canada.
    Flint Institute of Arts, Flint, MI.
    Museum of Fine Arts, Boston, MA.
    Museum of Art, Fort Lauderdale, FL.
    National Gallery of Prague, Czech Republic.
    Tang Museum, Skidmore College, Saratoga Springs, NY.
    AstraZeneca Hope Lodge Cancer Center, Boston, MA.
    Applicon Inc., Burlington, MA.
    Bain & Co., Boston, MA.
    Citicorp, New York, NY.
    CSC Index, Cambridge, MA.
    CVS, Woonsocket, RI.
    Dancing Bear Investments, Fort Lauderdale, FL.
    Golden Foundation, New Berlin, NY.
    Faulkner Hospital, Boston, MA.
    Hines Collection, Cambridge, MA.
    IBM Corporation, Providence, RI; Lawrenceville, NJ.
    International Data, Inc., Boston, MA.
    Lourie & Cutler P. C., Boston, MA.
    The MacGroup, Cambridge, MA.
    McAlpen House, New York, NY.
    New England Life, Boston, MA.
    Nixon Peabody LLP Manchester, NH
    Omni Parker House Hotel, Boston, MA.
    Phish Musical Band, Burlington, Vermont
    Prudential National Collection, Prudential Insurance Company, Newark, NJ.
    Prudential Securities Inc., Boston, MA.
    Shawmut Bank, Boston, Massachusetts.
    Sheraton Corporation, Los Angeles, CA and Boston, MA.
    The Triangle Foundation, New York, NY.
    Warner Communications, New York, NY.
    Wang Laboratories, Burlington, MA.
    Wellesley College, Wellesley, MA.
    21st Century Master Art Works, New York, NY.    


A Plastic Canvas, Marjorie Minkin’s New Exhibit, Benjamin Cassidy, The Berkshire Eagle, July 12, 2019.
Marjorie Minkin: The Shape Of Light, Museum Quality Work at Real Eyes Gallery in The Berkshires
, Charles
Giuliano,, July 5, 2019.
Abstraction Americaine,
Andre Seleanu, Exposition Vie des Arts 248, October, 2017.
Marjorie Minkin and Bruce Piermarini, Pour: Rush Rest Release
, Piri Halasz, From the Mayor’s
    Doorstep, March, 2017.     
From the Mayors Doorstep, Piri Halasz, Art Reviews, June, 2009.
    At The Galleries, Karen Wilkin, The Hudson Review, Vol. LXI, No. 1. Spring, 2008.
    From the Mayors Doorstep, Piri Halasz, Art Reviews, December, 2007.
    The New Acrylics, Reni Tauchid, Watson-Guptill Publications, New York, 2005.
    American Art at the Flint Institute of Arts, “Marjorie Minkin,” text by Sue Scott, Hudson Hill Press, 2003.
    “New New Painters,” texts by Milan Knizak, Tomas Vicek, Natalie Sykorova, Kenworth Moffett, David Carrier, April, 2002. (Catalogue)
    “Artist Groups-What’s New?”  Ken Carpenter, Art in America, July, 1999.
    “The New New Painters in Denver,“ Pat Fleisher, Artfocus, No. 66, Summer, 1999.
    Sue Scott, “Artists’ Essays”; David Carrier, “New New Painting and the History of American Style Painting;” Exhibition Catalogue with an Introduction by John B. Henry, III, “The New New Painters,” Flint Institute of Arts, 1999.
    “New New Painters” Jeff Bradley, The Denver Post, May 4, 1999.
    Excess and Intimacy: Painting Beside and Inside Itself” by Donald Kuspit; “The  
    Disembodied Embodied:  Spirit Matters in New New Painting,” by Arlene Raven; Exhibition Catalogue, New New Painting, Gallery 2000, l996.
    At the Galleries, Karen Wilkin, Partisan Review, Spring, 1995.
    “Acrylics Part 1:  A New Kind of Painting Emerges,” Laurie S. Hurwitz, American Artist,Vol. 58, No. 626, 9/’94.  
    New New Painting, texts by Werner Meyer & Hermann Armann, Galerie Municipale de Goeppingen, Edition Cantz, Germany, 1993. (Catalogue) 
    “Exhibit Explores Painting-Sculpture Hybrids,” William Jaeger, Times Union, Albany, Dec. 1993.
    “Shape-Shifting,” Rich Kreiner, Metroland Magazine, Albnay, December, 1993.
     New New Painting, Texts by Kenworth W. Moffett, postface by Marcel Parquet, Nouvelles Editions Francaise, Paris, France, 1992. (Catalogue)
    “Dreams and Art,” Elaine Seney, The Boston Sunday Globe, November 8, 1992.
    “Art Reviews - Marjorie Minkin,” Valentin Tatransky, Arts Magazine, Vol. 60, No. 2, October 1985.
    “Art”, William Zimmer, New York Times, Sunday, August 14, 1983.
    “Art in the Abstract,” Kenneth Baker, The Boston Phoenix, April 26, 1983.
    “Art: Critic’s Choice,” Robert Taylor, Boston Globe, February 20, l981.    


    1988    Massachusetts Artists Fellowship Program.  Finalist Award (Sculpture).
    1979    Museum of Fine Arts, Boston, MA, Clarissa Bartlett Traveling Scholarship, (Painting).


    School of the Museum of Fine Arts Boston, Diploma and Fifth Year Certificate. 
    Boston University, MA, Philosophy. 
    Skidmore College, BA, Philosophy and Minor in Studio Art.